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Home Life & Culture Music

Ayuba, Mayorkun and Naeto C to Headline Christmas Concert

by Omolade Adebiyi
November 8, 2026
in Music
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Ayuba, Mayorkun and Naeto C to Headline Christmas Concert

Ayuba, Mayorkun and Naeto C to Headline Christmas Concert. Photo Credit - Google

Article Lens How to read this story
Desk Music
Story Mode Music & Culture Report
Geography Nigeria · West Africa
Public Interest Creative economy, artistry, audience culture and industry movement

MORGANABLE LIFE & CULTURE / MUSIC

Lagos is preparing for a Christmas Eve concert that will bring together three generations of Nigerian music, as Adewale Ayuba, Mayorkun and Naeto C headline NOSTALGIA: The Return of an Era.

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Omolade Adebiyi

Morganable

08 November 2026

Akure —

Lagos is preparing for a Christmas Eve concert that will bring together three generations of Nigerian music, as Adewale Ayuba, Mayorkun and Naeto C headline NOSTALGIA: The Return of an Era.

The event will take place on December 24 at the Balmoral Convention Centre, Federal Palace Hotel, Lagos. Organisers say the concert will celebrate the music, fashion and social culture associated with the period between 1999 and 2009.

Games Experio Entertainment Ltd is organising the event. The announced lineup also includes the Loud Urban Choir, alongside other artistes and entertainment personalities.

According to the organisers, the programme will recreate memories of a defining period in Nigerian entertainment while introducing younger audiences to sounds and cultural trends that shaped the decade.

A MUSICAL JOURNEY ACROSS GENERATIONS

The selection of Ayuba, Mayorkun and Naeto C brings different musical backgrounds to one stage. Ayuba is an established juju musician whose career has connected traditional Yoruba sounds with contemporary performance. His inclusion gives the concert a link to an older generation of Nigerian popular music.

Mayorkun represents a more recent chapter in the industry. He gained wide attention through contemporary Afrobeats and became known for songs that reached audiences across Nigeria and beyond. His presence is likely to appeal to listeners who followed the growth of the genre during the past decade.

Naeto C, meanwhile, became a prominent name in Nigerian hip-hop during the late 2000s. His music formed part of a period when local rappers gained stronger visibility and Nigerian hip-hop developed a distinct mainstream audience. His appearance connects directly with the era that inspired the concert.

Together, the artists offer audiences several ways to connect with the event’s theme. Some guests may recognise songs that soundtracked their youth, while others may discover performers whose work helped shape Nigerian music. In this way, the concert aims to make nostalgia a shared experience rather than a memory limited to one age group.

The period named in the event’s theme covered important changes in Nigeria’s entertainment industry. Local music reached wider audiences, recording and distribution practices evolved, and more performers built recognisable careers.

Hip-hop, juju, gospel, R&B and other sounds shared space on radio, television and at social gatherings. Its influence remains visible today.

Fashion and social life formed another part of that cultural shift. Hairstyles, clothing, dance routines and music videos influenced youth trends

Songs often became closely linked with school memories, family celebrations, parties and other important moments. The concert’s theme draws on those connections between music and everyday life.

For many Nigerians, that period also marked a shift in how music travelled. Radio remained influential, while music television, CDs and live shows helped songs reach new listeners.

Performers built loyal fan bases through regular releases and energetic stage appearances. These experiences give the event a cultural reference point that extends beyond a list of popular songs. They connected with music fans nationwide.

The organisers describe NOSTALGIA as a curated cultural experience rather than a conventional concert or Christmas party. They say it will combine live performances with the music, fashion and shared memories of the period. Further details about the planned activities and any themed experiences have not yet been announced.

LAGOS PREPARES FOR CHRISTMAS EVE

Games Experio Entertainment Ltd was founded by Nollywood actor and media personality Titi Kuti and businessman Gbenga Balogun. Kuti is known for portraying Ade Tiger in the film King of Boys.

The founders say they are bringing their creative and business experience together to establish the event as a distinctive part of Lagos’ festive calendar.

According to the announcement, activities will begin with a black carpet at 5 p.m. The main event is scheduled to start at 7 p.m. These timings give guests an opportunity to arrive before the performances begin, although organisers have not released a detailed schedule for the evening.

The Christmas Eve date places the concert within a period when Lagos typically welcomes large numbers of visitors and returning Nigerians.

Concerts, festivals and social gatherings form a major part of the city’s end-of-year programme. Therefore, the event will compete for attention with other entertainment options taking place across the city.

Beyond the performances, the organisers have announced opportunities for sponsorship and brand partnerships. They are inviting organisations interested in reaching the event’s audience to explore brand visibility and experiential activations.

However, the announcement does not identify confirmed sponsors or provide details of specific commercial partnerships.

The concert also arrives at a time when Nigerian music enjoys strong international attention. Afrobeats has expanded the reach of local performers, while older genres continue to shape the country’s musical identity.

Bringing artists from different periods together could help audiences appreciate those connections and recognise how the industry has changed.

Still, the event’s central appeal rests on its specific focus. Rather than presenting only current chart music, NOSTALGIA invites guests to revisit a decade through familiar sounds and cultural references.

That idea may attract older listeners who experienced the period first-hand, as well as younger fans curious about the music that came before their time.

As preparations continue, prospective attendees should look out for official updates on ticket sales, prices, access arrangements and additional performers.

The organisers have not included those details in the initial announcement, so guests should wait for confirmed information before making plans or payments.

With Ayuba’s juju background, Naeto C’s hip-hop profile and Mayorkun’s Afrobeats sound, the concert brings distinct musical experiences together for one Christmas Eve programme.

The Loud Urban Choir will add another dimension to the lineup. Ultimately, NOSTALGIA: The Return of an Era seeks to turn memories of Nigerian popular culture into a live celebration in Lagos on December 24.

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Omolade Adebiyi

Omolade Adebiyi

Omolade Adebiyi is a Business and Life & Culture Reporter at Morganable, covering the forces shaping how people work, earn, spend, create, live and participate in contemporary society. Her reporting spans business, enterprise, consumer markets, entrepreneurship, the workplace and the wider economy, alongside culture, lifestyle, food, fashion, entertainment, travel and the creative economy. Her beat is particularly concerned with the point at which economic change becomes lived experience: how shifts in markets, technology, employment, prices, business models and consumer behaviour affect individuals, households, communities and emerging industries. Within Morganable’s Business coverage, Omolade reports on companies, currencies, industries, and markets and market developments, with attention to the people and decisions behind the numbers. Her Life & Culture reporting examines changing tastes, identities, industries and social practices, treating culture not simply as entertainment but as an important part of economic and public life.

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